Top Female Festival Screenplays of 2020

Watch the winning readings performed by professional actors. 18 screenplays in total.

Female Festival Winning Feature Screenplay Reading: For Better Or For Worse, by Clara BIJL
https://femalefilmfestival.com/2020/03/19/female-festival-winning-feature-screenplay-reading-for-better-or-for-worse-by-clara-bijl/

SHORT Female Festival Screenplay Reading: Discord, by Jax Smith & Helene Taylor
https://femalefilmfestival.com/2020/01/12/short-female-festival-screenplay-reading-discord-by-helene-taylor/

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Female Festival Best Scene: WHEAT DANDY, by Anna Patterson
https://femalefilmfestival.com/2020/12/23/female-festival-best-scene-wheat-dandy-by-anna-patterson/

Female Festival Best Scene: MILKWOOD MANOR, by Alexia Kosmider
https://femalefilmfestival.com/2020/12/23/female-festival-best-scene-milkwood-manor-by-alexia-kosmider/

Female Festival BEST SCENE Reading: HELL’S BELLE, by Kari Karsten
https://femalefilmfestival.com/2020/12/22/female-festival-best-scene-reading-hells-belle-by-kari-karsten/

Female Festival BEST Scene Reading: FORGOTTEN VOICE(S), by Malathi Vulupala
https://femalefilmfestival.com/2020/12/22/female-festival-best-scene-reading-forgotten-voices-by-malathi-vulupala/

FEMALE Festival Best Scene Reading: Holy Ground, by Brooke Burns
https://femalefilmfestival.com/2020/11/14/female-festival-best-scene-reading-holy-ground-by-brooke-burns/

BEST SCENE Female Festival Script Reading: The Sky Road, by Ellen Federico
https://femalefilmfestival.com/2020/08/25/bes-scene-female-festival-script-reading-the-sky-road-by-ellen-federico/

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FEMALE Festival 1st Scene Reading: DEADSHOT GIRLS, by Heidi James
https://femalefilmfestival.com/2020/11/25/female-festival-1st-scene-reading-deadshot-girls-by-heidi-james/

FEMALE Festival 1st Scene Reading: DOLLY DAYDREAM, by Natasha Langridge-Thorpe
https://femalefilmfestival.com/2020/11/14/female-festival-1st-scene-reading-dolly-daydream-by-natasha-langridge-thorpe/

FEMALE Festival 1st Scene Script Reading: WOLFE PACK, by Lindsay Heiman
https://femalefilmfestival.com/2020/11/14/female-festival-1st-scene-script-reading-wolfe-pack-by-lindsay-heiman/

FEMALE Festival 1st Scene Script Reading: Louise, by Grace Graham
https://femalefilmfestival.com/2020/09/24/female-festival-1st-scene-script-reading-louise-by-grace-graham/

Winning 1st Scene Female Festival Script Reading: Becoming Elizabeth, by Aimee Pitta
https://femalefilmfestival.com/2020/08/25/winning-1st-scene-female-festival-script-reading-becoming-elizabeth-by-aimee-pitta/

Winning 1st Scene Female Festival Script Reading: I Lolita, by Rachel van Geenhoven
https://femalefilmfestival.com/2020/08/25/winning-1st-scene-female-festival-script-reading-i-lolita-by-rachel-van-geenhoven/

Winning Female Festival 1st Scene Reading: Sky Country, by Kelly Otterness
https://femalefilmfestival.com/2020/08/21/winning-female-festival-1st-scene-reading-sky-country-by-kelly-otterness/

Female Festival 1st Scene Screenplay Reading: IN 2030, by Elizabeth Sinanan
https://femalefilmfestival.com/2020/07/17/female-festival-1st-scene-screenplay-reading-in-2030-by-elizabeth-sinanan/

Female Festival 1st Scene Reading: Steal The Light, by Whitney Stewart
https://femalefilmfestival.com/2020/03/09/female-festival-1st-scene-reading-steal-the-light-by-whitney-stewart/

FEMALE Festival 1st Scene Script Reading: Art Appreciation, by Jennifer Titus & Mark Provencher
https://femalefilmfestival.com/2020/03/02/female-festival-1st-scene-script-reading-art-appreciation-by-jennifer-titus-mark-provencher/

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By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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