SUMMER 2026 FEMALE Feedback Festival Screenplay Winners & Honorable Mentions

The FEMALE FEEDBACK Festival had a surplus of submissions fo the first half of the season. Enclosed is the list of WINNERS, who had a best scene of their screenplay performed by professional actors and made into a video. Plus, the honorable mentions, who although they didn’t formally win at the festival, are a group of screenwriters in select company.

WINNERS: 2

Feature Script: Destiny Dog, by L. C. Anderson

FEMALE Festival Feature Script: Destiny Dog, by L. C. Anderson

TV PILOT: The Women Who Don’t Exist, by Luna Wu

FEMALE Festival TV PILOT: The Women Who Don’t Exist, by Luna Wu

HONORABLE MENTIONS: 11

Call Box Rescue
Writer Rachel Kleinman
Feature Script

Trust Fall
Writer Delphine Brooker
Feature Script

Two Weens on Wednesdays
Writer Amber Wolffe
Feature Script

And above us the sky
Writer Emese Sperlagh
Feature Script

“A Good Mom is Hard to Find” Episode Two: Bitter Cure
Submitter Pamela West
Feature Script

When Silence Never Ends
Writer Teri Busse
Feature Script

EXVANGELICAL
Submitter Cora Rowe
TV Pilot

Salvation’s Trap
Writer Natalie Jane lacayo
Short Script

My Tuscan Nightmare
Submitter Alexandra de Curtis
TV Pilot

The Vinegaroon Saloon
Writer Lindy Loundagin
TV Pilot

Shalom Kolontarov The Hero
Writer Shalom Kolontarov
TV Pilot

femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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