WINNER: April 2026 FEMALE Filmmakers Festival

A showcase of the best Female Films from around the world today!

AUDIENCE AWARD WINNERS (from FEEDBACK Film Festival):
Best Short Film: LEAVE IN THE WIND
Best Direction: A BREAK
Best Story: LET’S GO

A BREAK, 30min., USA
Directed by Jill Corvelli
A Break is a symbolistic narrative film. We all have multiple parts that make up who we are. It is so easy for all of our parts to be in disalignment, especially when we need then aligned the most. I have found that getting total alignment within yourself requires relentless effort, but that practice is a beautiful part of what it means to be human.

https://www.wildsound.ca/videos/audience-feedback-a-break

LEAVE IN THE WIND, 4min., South Korea
Directed by Young-Shin Kim
Two guys an old love, or was it all just a dream?

https://www.instagram.com/ysk_artist

https://www.wildsound.ca/videos/audience-feedback-leave-in-the-wind

LET’S GO, 10min., USA
Directed by Siggi Jung
Depressed divorcee who also lost her furry best friend unexpectedly finds strength and purpose in an impulsive rescue.

https://www.wildsound.ca/videos/audience-feedback-lets-go

femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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