Female Festival 2023 Screenplay Winners

Here is the list of 2023 screenplay winners from the FEMALE Festival.

Watch the 16 winning screenplay best scene readings:


TINU, by Nirali Shastri
TV Pilot – Toronto Festival
Tinu, an Indian woman in her 40s, is going through a divorce. Leaving her acting career in Los Angeles and moving in with her parents in Buffalo, NY, Tinu attempts to rebuild her life as she pursues her back up engineering career plan with a job as a Construction Inspector. What she expects to be a devastating life change turns out to be the best thing that’s ever happened to her.

Toronto Female Festival: TINU, by Nirali Shastri


Lucky For You, by Heidi Kozak Haddad, Caroline Somers
Feature Script – Toronto Festival
LUCKY FOR YOU is a comedy about a people-pleasing woman named Ellie who wins big in the lottery, but instead of lavishing herself with the best money can buy, she hides her winnings and uses the money to secretly transform her slacker husband into the successful man she always dreamt he would become; however, when her plan to rebuild his self-esteem works, Ellie’s life implodes when her husband becomes an unrecognizable douchebag.

Female Fest Best Scene: Lucky For You, by Heidi Kozak Haddad, Caroline Somers


THE BIRTHDAY LIST, by Jacqueline Escolme
Feature Script
Inspired by a young adventurer, a frustrated midlife wife escapes her marriage and flies to America with a birthday bucket list that helps her find truth, freedom and the future she’s waited twenty years for.

THE BIRTHDAY LIST. Female Festival Best Scene. by Jacqueline Escolme


BLACK SUNDAY, by Katreana Bellew
Feature Script
A young fireman, and father of four, jumps to his death to escape a Bronx fire alongside four other firemen. Upon inspection of the fire, it becomes clear that both the building owners and the city of New York are at fault. The fireman’s wife and the surviving, but chronically injured, men from the fire must grapple with the subsequent court case and their own trauma resulting from the tragic day.

Winning FEMALE Festival 1st Scene: Black Sunday, by Katreana Bellew


OUTER BANKERS, by Diann Ducharme
TV Pilot
When Nolan, a powerful plantation owner, moves his family to a new oceanside home in North Carolina in the late 1860s, his highly educated daughter Abigail struggles to accept the role she’s expected to play. Powerful forces work in the shadows, eager to corrupt the family and harness their power and influence to further a dark agenda.

FEMALE Festival Best Scene Script: Outer Bankers, by Diann Ducharme


EXPIRED, by Wendy Braff
TV Pilot
Five female friends over 50 have had enough of being dismissed and ignored by a society that thinks of them as “expired.” When they decide they’re no longer going to give a fuck, their lives truly begin.

FEMALE Festival BEST Scene: EXPIRED, by Wendy Braff


Presumption, by Andy Healy
TV Pilot
As a jury deliberates, a desperate and disenfranchised African-American mother looks to balance the scales of justice by taking the lead prosecutor hostage and forcing her torelook atthe case against her son and prove his innocence before the verdict is handed down.

FEMALE Festival 1st Scene: Presumption, by Andy Healy


Switch With Me, by Lexi Morgan
Feature Script
Two sisters form a plan to switch lives after one’s husband is caught cheating.

FEMALE Festival 1st Scene: Switch With Me, by Lexi Morgan


Off The Rack, by Pilar Gibson
TV Pilot
Desperate to break into the New York fashion scene of the 1970s, a struggling designer funds her clothing line by teaming up with an ex-model to counterfeit luxury clothes.

FEMALE Festival 1st Scene: Off The Rack, by Pilar Gibson


LITTLE GREEN MEND, by Linda Whitmore
Feature Script
A plant-like-alien from a distant planet receives a school assignment to help another planet without revealing themselves and gets assigned Earth.

FEMALE Festival 1st Scene: LITTLE GREEN MEND, by Linda Whitmore


THE LOVELY MISS MERCER, by Heidi Lauren Duke
Feature Script
With the world at war, a penniless socialite must keep her affair with Franklin Delano Roosevelt a secret from his wife — as well as the rest of the nation.

FEMALE Festival 1st Scene: The Lovely Miss Mercer, by Heidi Lauren Duke


THE BLAKENEYS, by Brigid May
Feature Script
During the French Revolution, a band of heroes rises to combat the slaughter of innocents. Yet when a French spy looks to bring down the leader by blackmailing his estranged wife, the lines between the rescuer and rescued are blurred and the couple’s lives altered forever.

FEMALE Festival 1st Scene: The Blakeneys, by Brigid May


KISS OF DARKNESS, by Michael McClung
Feature Script
In 1960, the Democratic Republic of the Congo has recently been evacuated by Belgian forces in the face of violent uprisings, leaving new Prime Minister Patrice Lumumba’s, 35, shaky government to ward off both America and Russia, who contend for the rich natural resources of uranium, diamonds, copper, and cobalt. The capital city of Kinshasa is war-torn and violent, prone to constant uprisings and full of security checkpoints. Fires and gunfights rage day and night.

FEMALE Festival 1st Scene Reading: KISS OF DARKNESS, by Michael McClung


GOLD MOUNTAIN EXPRESS, by Gene Lassers
Feature Script
The Nazis conquer Warsaw at the beginning of World War II and take-over the infamous Jewish Ghetto. The last shipment of valuables leaves Berlin for

FEMALE Festival BEST SCENE: GOLD MOUNTAIN EXPRESS, by Gene Lassers


ALL THAT YOU LOVE, by Ken Gire
Feature Script
A teenager’s idyllic life on a German farm is shattered during World War II by a ruthless Soviet invasion that separates her from her family, putting

FEMALE Festival 1st Scene: ALL THAT YOU LOVE, by Ken Gire


MOTHER SUPERIOR, by James W Goulde
Feature Script
In 1350s Florence, an insecure nun unwillingly becomes the Mother Superior after the Plague kills the leaders of her nearly bankrupt convent. To save her convent, she must find the strength to confront the male dominated Church, Guilds and civil authorities, and her own demons.

FEMALE Festival Best Scene: MOTHER SUPERIOR, by James W Goulde


By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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