Director Biography – Adam Breier, Ina Nersesian (WHISPER)

Adam Breier has received an MA degree specialized in Media Studies in Hungary, he took screenwriting courses in New York, and later on he has graduated from the EICTV (EscuelaInternacional de Cine y Television) in Cuba majoring in fiction directing.

His short fiction and documentary films have been shown in festivals in more than twenty countries of the world including A-category festivals as Montreal World Film Festival and Zinebi Bilbao.

Adam has lived and worked in France, Cuba, and the USA and he is fluent in French, Spanish, English, and Hungarian.

Right now he is working on his first feature project.

Ina Nersesian was born on the 4th of August, 1990, Republic of Georgia. Since her childhood, she was interested in photography.


In 2014 she graduated from Shota Rustaveli Film and Theatre University of Georgia, Major in Cinematography.
The same year she became the UN special prize winner of the International Festival “GoldenEye”.
In 2017, a full scholarship holder of Erasmus Mundus Joint Master Program “Viewfinder”.
While graduating MA in 2019, she had an opportunity to make a short fiction film, “Whisper”, as a director and cinematographer in the same time, a special mention to this short biography, because this film opens up the long-forgotten door into her childhood, to her grandmother, to a person who grew in Ina a dream to become a creator.

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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