By Josh Rousseau (composer) and Tanner Smith (filmmaker) NOTE FROM TANNER: This is something my musician friend, Josh, wanted us to work on together–what does a composer take from a music score in a film and is it any different from the point-of-view of a filmmaker/critic? Obviously, I’m not going to be as specific in […]
via Composer vs. Filmmaker: Hans Zimmer’s Score to The Dark Knight — Smith’s Verdict
