October 2017 Female Directed & Written Stories, Screenplays, and Short Films

Submit your Female Story, Screenplay, or Short Film to the Festival today: https://femalefilmfestival.com/


festival posterTWO, 1min, USA, Fashion/Experimental
WATCH Audience FEEDBACK


festival posterD’ARLINE, 22min, USA, Drama/Biography
WATCH Audience FEEDBACK


festival posterLIZ DRIVES, 8min, Australia, Horror
WATCH Audience FEEDBACK

ACTORFAN FICTION BEST SCENE Screenplay – BLACK WIDOW: FUGITIVE
October 2017 Reading
by Brooke Elowe
ACTOR1st SCENE Screenplay – DEFYING THE TIDE
October 2017 Reading
by Anna Bamberger

ACTORROMANCE SHORT Screenplay – LULU
October 2017 Reading
by Tracey Lion Cachet
ACTORSHORT Screenplay – THE RECEIPT
October 2017 Reading
by Hazel Allan

ACTORCOMEDY BEST SCENE Screenplay – VAMPIRE ACADEMY
October 2017 Reading
by Melissa Birks
ACTORCOMEDY BEST SCENE Screenplay – BRENDA IN DHARMALAND
October 2017 Reading
by Anne M. Robinson

ACTORTHRILLER BEST SCENE Screenplay – CURIOUS BUDDIES
October 2017 Reading
by Janet Caulfield
ACTORCRIME BEST SCENE Screenplay – VINDICATION
October 2017 Reading
by Louetta Jensen

ACTORNOVEL Reading – KILER CONVERSATIONS
October 2017 Reading
by Stephanie Parker McKean
ACTORNOVEL Reading – PRIESTESS OF THE FOREST: A DRUID JOURNEY
October 2017 Reading
by Ellen Evert Hopman

ACTORNOVEL Reading – SNAYGILL: SLITHERY TEMPTATIONS
October 2017 Reading
by Michelle B. Assor

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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