August 2017 Female Directed & Written Stories, Screenplays, and Short Films

Submit your Female Story, Screenplay, or Short Film to the Festival today: https://femalefilmfestival.com/

ACTORSCI-FI SHORT Screenplay – SID
August 2017 Reading
by Auriga Ifill

ACTOR1st SCENE ADVENTURE Screenplay – THE GATE
August 2017 Reading
by Della Vance Greenwalt
ACTORLGBT TV PILOT Screenplay – THE DISAPPEARANCE
August 2017 Reading
by Jess Harris Distefano

ACTOR1PG. SHORT Screenplay – DAB A DUCK TAPE
August 2017 Reading
by Stephanie Annis
ACTORUnder 5min. SHORT Screenplay – KEEP SMILING
August 2017 Reading
by Courtney Wallace

festival posterUNTIL DEATH DO US PART, 8min, USA, LGBT, Documentary
WATCH Audience FEEDBACK
festival posterMY NAME IS JOAN, 30min, USA, Documentary
WATCH Audience FEEDBACK

festival posterMAGIC RADIO, 9min, USA, Family/Comedy
WATCH Audience FEEDBACK


festival posterGRACE & GRIT, 3min, USA, Thriller/Drama
WATCH Audience FEEDBACK


festival posterWE WERE SWIMMING, 3min, UK, Art/Surreal
WATCH Audience FEEDBACK


festival posterTHE MAN WHO DOESN’T SLEEP, 15min, Canada, Drama
WATCH Audience FEEDBACK


festival posterTHE SESSION, 7min, USA, Comedy
WATCH Audience FEEDBACK


festival posterNO STRINGS ATTACHED, 5min, USA, Music Video
WATCH Audience FEEDBACK


festival posterKAJAL, 20min, India, Drama
WATCH Audience FEEDBACK

 

 

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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