Watch Winning TV PILOT Reading: LIFE IN THE FAST LANE by Debi Calabro

LIFE IN THE FAST LANE is the January 2016 winning TV Pilot. Watch the table reading performed by professional actors.

TV PILOT: LIFE IN THE FAST LANE
by Debi Calabro

CAST LIST:

NARRATOR – Sean Ballantyne
JESSIE – Maya Woloszyn
SAL – Christopher Huron
MARIA/SONIA – Mandy May Cheetham
JAMES/RYAN – Nick Baillie
SCARECROW/MICHAEL – Kaleb Alexander
YOUNG SAL – Jovan Kocic

Get to know writer Debi Calabro:

Matthew Toffolo: What is your screenplay about?

Debi Calabro: It’s about three very different families and how their involvement in the sport of horse racing brings them together.

Matthew: Why should this screenplay be made into a TV show?

Debi: The series would focus on these three families and their trials and tribulations on and off the racetrack. Their situations are all very unique and it will be compelling to see how they solve (or try to solve) their own issues as well as how they intermingle which usually causes more turmoil than not.

Racetrack attendees are a rare breed and this group is no different which will make the show interesting and entertaining to watch.

Matthew: How would you describe this script in two words?

Debi: Unique, entertaining.

Matthew: What TV show(s) do you keep watching over and over again?

Debi: Rescue Me, Modern Family, Seinfeld,

Matthew: How long have you been working on this screenplay?

Debi: About eight months.

Matthew: How many stories have you written?

Debi: Lost count.

Matthew: What motivated you to write this screenplay?

Debi: As a racehorse owner I couldn’t pass up the opportunity to write about the characters that attend the track on a daily basis. From the down and out gambler who would spend their last two bucks on a bet to the wealthiest thoroughbred owners, they all have one thing in common, to win

Matthew: What obstacles did you face to finish this screenplay?

Debi: None.

Matthew: Apart from writing, what else are you passionate about?

Debi: Being a racehorse owner.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Debi: I really liked the idea of the reading and the feedback was priceless.

Matthew: Any advice or tips you’d like to pass on to other writers?

Debi: Always get your work critiqued before sending it out. When you receive the critique back read it a couple of times to really understand what your consultant is trying to say because when you first read it one would perhaps try to dismiss it since, as the writer, you might not be able to comprehend how “your” story could be any other way. But someone else’s opinion, especially a professional, can most often than not, open the writers eyes for a new perspective.

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival

 

writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

Leave a comment

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s