Artist In Residence: Emily Clarkson — Red’s Kingdom

I’m delighted to announce Emily Clarkson is taking up a residency at Red’s Kingdom, joining Tom Beg and Graeme Daly as featured creatives. Truth be known, I’ve been badgering Emily to get her feet under Red’s table for a while now and we’ll be talking about her initial reluctance a little later. Before that, I just want to say a few words about Emily as they’re words she would never use about herself, but someone has got to say them. Emily is one of the most commensurate animation-centric creatives I know, and it’s been my pleasure (and saving grace) to work with Emily on a bunch of very challenging, time-pressured and under-funded projects. Emily has seen me at my best – and at my very worst – absorbing my stress, my ineptitude and my poor temper without rancour. Emily can build entire worlds in her mind and communicate them to other people through ravishing production art; she is a designer of charismatic characters, and a skilled animator with nifty comic timing.

via Artist In Residence: Emily Clarkson — Red’s Kingdom

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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