In the year of 1967 two very important films came out in France – Deux ou Trois choses que je sais d’elle (Jean-Luc Godard) and Belle de Jour (Luis Buñuel). Each of them deals with completely different themes and issues, however, they have an intersectional point: both centre on seemingly bourgeois housewives who drag themselves […]
via The Feminist Paradox of Prostituting Housewives in 1960s French Cinema — Screen Queens
