Female Festival Winning TV PILOT Screenplay: WALK OF SHAME, by Anna Bielkheden

Walk of Shame is a raw drama series about three female roommates in LA struggling to navigate the road to success and personal identity, smack in the middle of a booming social media era and a pending quarter life crisis. Over the course of ten episodes, we follow the complicated lives and relationships of a 26-year old personal trainer from Oklahoma with a raging Tomboy vs. Barbie complex (ASH), a 29-year old second generation immigrant MUA from Sherman Oaks with the goal of becoming a star beauty influencer (SKY), and a 25-year old aspiring actress from Denmark with an expiring student visa, desperate to make it at any cost (CLARA).

CAST LIST:

Avery: Aaron Maxwell Williams
Alexis: Katelyn Varadi
Sky: Camila Aguirre
Narrator: Carina Cojeen
Clara: Melinda Jordan
Ash: Kristen MacCulloch
Miguel: Michael Ruhs

 

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Ryan Haines, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Ryan Haines, Temitope Akinterinwa, Efren Zapata, Zack Arch

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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