Feature Screenplay Reading of EYES OF DAWN, by Sheri Davenport

Mata Hari — a spy who betrayed her country or a woman ahead of her time? This is the back story of Mata Hari.


NARRATION: Elizabeth Rose Morriss
Mata Hari: Marisa King
Bouchardson: Dan Cristofori
Vadime: Yehuda Fisher
Macleod: Michael Sabet
Clunt: Scott McCulloch
Sister Leonide: Elizabeth Skidmore

Get to know the writer:

1. What is your screenplay about?

Eyes of Dawn is new look at the life of Mata Hari. It tells the story of a woman far ahead of her time, a woman in touch with the strength, beauty and power of her femininity and her sexuality. A woman who loved with passion, danced with abandon, never gave up on finding the child who was taken from her. And in the end, she was a woman betrayed by men who were threatened by her free spirit — men in power who forced her into the world of espionage and ultimately took her life.

2. What genres does your screenplay fall under?

Historical Fiction

3. Why should this screenplay be made into a movie?

Because it’s time for more films about strong women overcoming obstacles to become their whole, complete, best selves. And the subject of men who feel threatened or insecure using their power to diminish, harass and limit women has never been more relevant than it is today.

4. How would you describe this script in two words?

Powerful. Relevant

5. What movie have you seen the most times in your life?

All About Eve

6. How long have you been working on this screenplay?

Two years

7. How many stories have you written?


8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Rachmaninoff’s Rhapsody on a Theme of Paganini

9. What obstacles did you face to finish this screenplay?

Still facing some obstacles as I rework it into a three part series: To make each character arc interesting and believable and to reveal what truly drives Mata Hari, what’s in her heart.

10. Apart from writing, what else are you passionate about?


11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I’ve had no problems. It’s efficient.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I loved that the festival focuses on women’s work. Also the chance for a reading was motivating and that feedback was included. I thought my feedback was terrific. I’m impressed by the effort the reader took and how truly helpful it was. I couldn’t be happier to be a winner and have a very professional read of my script. Thank you!


Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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