Holiday Novel Festival Special (1st ch., Full, Reading) – Save 40% off the regular submission

WILDsound Festival

HOLIDAY SPECIAL DEADLINE Dec. 31st – 1st CHAPTER/FULL NOVEL Festival Contest – SAVE $15 to $70
http://www.wildsound.ca/book_contest.html

Get your story performed at the Writing Festival. FULL FEEDBACK on all entries.

WATCH the Recent Winning Short Story/1st Chapter Readings:
http://www.wildsoundfestival.com/novel_and_short_story_readings.html

Novel Festival Testimonials:
http://www.wildsoundfestival.com/wildsound_novel_contest_festival_review.html

WATCH RECENT NOVEL PERFORMANCE READINGS:

ACTORNOVEL Transcript Reading – GUARDING SHAKESPEARE
December 2016 Reading
Written by Quintin Peterson
ACTORNOVEL Transcript Reading – A CHANCE FOR LIFE
December 2016 Reading
Written by Laura Anne Ewald
ACTORNOVEL Transcript Reading – HUSBANDS MAY COME AND GO BUT FRIENDS ARE FOREVER
December 2016 Reading
Written by Judith Marshall
ACTORNOVEL Transcript Reading – ZOMBIE TURKEYS
December 2016 Reading
Written by Andy Zach
ACTORNovel Transcript – BECOMING HERO
November 2016 Reading
Written by Jen Finelli
ACTORNovel Transcript – GUARDIAN
November 2016 Reading
Written by Marc W Johnson
ACTORNovel Transcript – HAIR DAY AT FRIDA’S
November 2016 Reading
Written by Rachel Sutton
ACTORNOVEL READING…

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By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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