Originally posted on FEEDBACK Female Film Festival:
Why do some filmmakers find it to be of such “impactful dramatic narration” to show a snippet of the end of the story or film within the first two minutes of its beginning? That’s what disappointed me in the latest Netflix release “Extraction” featuring Chris Hemsworth as a…
Author: femalefilmfestival
The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes.
Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival.
This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way.
When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival.
A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.
MARC’S REVIEW – Extraction — M & M at the Movies
Why do some filmmakers find it to be of such “impactful dramatic narration” to show a snippet of the end of the story or film within the first two minutes of its beginning? That’s what disappointed me in the latest Netflix release “Extraction” featuring Chris Hemsworth as a skilled Australian mercenary hired to rescue an […]… Continue reading MARC’S REVIEW – Extraction — M & M at the Movies
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It happens almost every year. A horror film by a little-known filmmaker comes charging out of the gate, capturing the hearts and minds of festival goers at Sundance or SXSW. And the buzz only grows as the film builds a head of steam on the festival circuit. In 2018, it was Ari Aster’s debut film,… Continue reading The Screen Scene Home Video Edition: The Lodge — WRBL
Problem with White Washing Today — Griffens Blog ENG 206-04
Dear Hollywood Executives, From the Golden-Age of Hollywood to a Modern Blockbuster, whitewashing is something that you never really cared about. It does more damage then you could understand. When thinking about how long this issue has been prevalent, I must turn to the first film ever shown at the White House. In the year […]… Continue reading Problem with White Washing Today — Griffens Blog ENG 206-04
1992 in Review — scotthansensports
I’ve split this review into five sections: The bad, the not good, the OK, the pretty good and the great. If you don’t agree with me, let me know. I’d love to hear your reasons. The Bad 75. Cool World Synopsis: A cartoon femme fatale from a comic strip attempts to seduce her cartoonist creator… Continue reading 1992 in Review — scotthansensports