Author: femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes.

Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival.

This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way.

When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival.

A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

Female Feedback Festival Testimonial – May 3 2020

Katherine Castellaw My experience with FFFF has only been positive. It was such a cool experience to get feedback from audience members. I was a little nervous about it at first, but everyone was so positive and encouraging. I would definitely submit again! Thanks so much for giving unknown female filmmakers a platform! A Film… Continue reading Female Feedback Festival Testimonial – May 3 2020

WILDsound Festival Testimonial – May 3 2020

Originally posted on WILDsound Festival:
Matthew Papadopoulos I can’t thank you enough for selecting my romantic comedy screenplay The Real Thing as one of the Top WILDsound Festival Screenplays of 2019. In addition, the Best Scene Screenplay Reading you produced always makes me laugh… Every aspect of the WILDsound FEEDBACK Film and Screenplay Festival has…

Disney’s ‘Myth: A Frozen Tale’ should be a case study for anyone filmmaking in VR — TechCrunch

This week, on my way to check out a little ride debuting at Disneyland in California, I stopped by Walt Disney Animation Studios in Burbank to check out “Myth: A Frozen Tale.” “Myth” is a new VR experience created by a team working at the studio that debuted with the movie but has not yet […]… Continue reading Disney’s ‘Myth: A Frozen Tale’ should be a case study for anyone filmmaking in VR — TechCrunch

Filmmaking in the Time of COVID — cinemaoceania

This spring Writer-Director Pete Britos planned to shoot a feature film… We were set to start shooting House of the Shark – Mango Dreams March 25, 2020 at Makiki Skatepark, under the H1 Freeway. Production on this project started in 2012 when our lead was eight-years old. He’s now sixteen. Less than a week before […]… Continue reading Filmmaking in the Time of COVID — cinemaoceania

Indie filmmaking tips: A short guide to indie filmmaking — iFilmThings

An intro to indie filmmaking What do you do when you have no savings, no inheritance, just a basic office job, you’re not in the film industry, and a major passion to make films yourself? Well, just find a way to make them. Since 2005 I have self-financed, self-produced, written and directed, along with collaborators, […]… Continue reading Indie filmmaking tips: A short guide to indie filmmaking — iFilmThings

Alice — Hobo Moon Cartoons

Jan Švankmajer (1988) Alice is a 1988 dark fantasy film written and directed by Jan Švankmajer.Its original Czech title is Něco z Alenky, which means “Something from Alice”. It is a loose adaptation of Lewis Carroll’s first Alice book, Alice’s Adventures in Wonderland (1865), about a girl who follows a white rabbit into a bizarre… Continue reading Alice — Hobo Moon Cartoons