LISTEN to Today’s Black Feedback Film Festival PODCASTS. Then watch their films and festival for FREE or for $1.

Black Feedback Film Festival

ADONAI – Director Hess Wesley
https://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2022/5/28/may-28-2022-actorwriter-hess-wesley-adonai?rq=hess%20wesley

LISTEN on Itunes:
https://podcasts.apple.com/ca/podcast/may-28-2022-filmmaker-hess-wesley-adonai/id1406973270?i=1000564331881

POWER OF INTIMATE TOUCH – Director Leslie Dotson
https://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2022/6/17/june-16-2022-filmmaker-les-dotson-power-of-intimate-touch

LISTEN on Itunes:
https://podcasts.apple.com/ca/podcast/june-16-2022-filmmaker-les-dotson-power-of-intimate-touch/id1406973270?i=1000566908632

Watch the BLACK Filmmakers Film Festival Now.

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A showcase of the best short films from Black Filmmakers from around the world today.

See the Full Lineup of Films:

ADONAI, 9min,. USA, Drama

Directed by Gil Green, Hess Wesley
Adonai tells the story of Paul, a man in emotional turmoil from a recent accident in which he mistakenly shot a marine veteran in the head. What exacerbates his misery, is that this particular marine, is his own brother. In a desperate attempt to rid himself of the guilt, he decides that…

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By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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