“One Flew Over the Cuckoo’s Nest” has been on my list for a while; it is one of only three films to have won the Big Five at the Oscars. For you non-Oscar fanatics out there, the Big Five is the coined term for a film that has won all of the five major awards: Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay (original or adapted). “One Flew Over the Cuckoo’s Nest” is based on Ken Kesey’s famous novel from 1962 of the same name, of which I purchased at a used bookstore for $2 and still have yet to read. I’ll get around to that one day, too. All of this being said, there were super high expectations going into this first viewing.
via One Flew Over the Cuckoo’s Nest: Order and Chaos in Society — In Their Own League
The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes.
Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival.
This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way.
When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival.
A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.
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