BENDED BONDS Short Film – Audience Feedback from April 2017 Female Film Festival

AUDIENCE FEEDBACK VIDEO:

  MOVIE POSTERBENDED BONDS, 6min, Belgium, Drama
Directed by Julie Janssens

Sarah and Jane, two sisters, haven’t spoken to each other for years. The death of their mother forces them to come together to make the arrangements for their legacy. Their painful memories and resentments crawl back to the surface.

Director Statement

The challenge of the movie was to communicate the paradox and complexity of siblings relationships through dialogs, silences and gazes. From an outside perspective, these tensions may seem ridiculously intense and dramatic. Sarah and Jeanne have a hard time understanding each other. They are trying to get away from some patterns transmitted by generational legacy. They claim who they are but they struggle to move through the perception of the family they grew up with.

What particularly concerns me is the unconditional love we share with our siblings. It’s the kind of relationship that allows low blows and induces a duty to reconcile. This relationship is undeniable because it is “the same flesh, the same blood”.

Also reconciliations are special in this love/hate relationship. From what I have observed in my own family, seldom are there proper apologies or truthful excuses. Most of the time, with my sister, we renew contact without obtaining a conflict resolution. Time passes, we forget about it until the next hint that will rekindle the flame. Between siblings we know exactly what to say to each other to piss or hurt each other. These recurrent conflicts become individual scars and/or common ones.

I also wanted to recreate this ambivalence in the title “Bended bonds”:
– ‘bended’ refers to the bended, twisted relationship they developed,
– ‘bonds’ refers to the brotherhood and the fact that they were tied to some things before they met again … but finally freed themselves.

The combination of the two terms expresses the paradox of their relationship. One expression cancels and/or complements the other … Moreover, this ambiguity leaves an open end for the viewer.

This short film was shot from start to finish in 72 hours as part of the Kino Kabaret at the “Off-Courts” Trouville 2016 festival.

This story is a realistic private session with the necessary subtilety to address the complexity of a sister’s relationship with accuracy and sensitivity.

Project Title (Original Language):Deliees a s’en tordre

Film Type:Short, Television

Runtime:6 minutes

Completion Date:September 17, 2016

Country of Origin:Belgium

Country of Filming:France

Film Language:French

Shooting Format:Digital

Film Color:Color

short films short films short films
short films short films short films


WATCH 2016 FILM FESTIVAL EVENTS and the FEEDBACK VIDEOS of EACH SELECTED FILM

ACTORDECEMBER FAMILY/ANIMATION 2016 Film Festival
Watch Audience Feedback Videos from December event
ACTORDECEMBER FEMALE Directors Film Festival
Best of the Dec. 22, 2016 Fest.
ACTORDECEMBER LA FEEDBACK Film Festival – Day 1
Best of the Dec. 7, 2016 Fest.
ACTORHIGHLIGHTS LA FEEDBACK Film Festival – Day 2
Best of the Dec. 8, 2016 Fest.
ACTOR11 FILMS/11 COUNTRIES NOVEMBER 2016 Film Festival
Watch Audience Feedback Videos from November event
ACTOROCTOBER THRILLER/HORROR 2016 Film Festival
Watch Audience Feedback Videos from October event
ACTOROCTOBER ACTION/CRIME 2016 Film Festival
Watch Audience Feedback Videos from October event
ACTORSEPTEMBER DOC/COMEDY 2016 Film Festival
Watch Audience Feedback Videos from September event
ACTORHIGHLIGHTS September 2016 SCI-FI FEEDBACK Film Festival
Best of the Sept. 22, 2016 Fest.

 

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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