2016 FEMME FATALE Stories

See the best of Femme Fatale stories, films, and screenplays showcased at the festival:


festival posterCOLOR, 6min, USA, Experimental/Student
WATCH Audience FEEDBACK


festival poster
FALLING STARS, 25min, Germany, Drama/Mystery

WATCH Audience FEEDBACK


festival poster
LATE, 5min, Canada, Drama

WATCH Audience FEEDBACK


festival posterTHE GRENADE, 4min., Brazil, Experimental/Music
WATCH Audience FEEDBACK


festival posterTHERE WAS A PLACE, 14min. Spain, Drama
WATCH Audience FEEDBACK


festival poster
FREEMALES, 20min, Australia, Comedy/Webseries

WATCH Audience FEEDBACK


festival posterMIDNIGHT WALK, 4min., Australia, Thriller
WATCH Audience FEEDBACK


festival posterBARROW, 15min., Australia, Crime/Mystery
WATCH Audience FEEDBACK

ACTORFAN FICTION Screenplay – THE MASK OF LEIA
August 2016 Reading
Written by Ian Wilson

ACTORNOVEL Prologue – THE ACE OF KINGS
August 2016 Reading
Written by Dan Levinson

ACTORNOVEL READING – THE PESSARY
October 2016 Reading
Written by Juliet M. Nevins, MD

ACTOR1st SCENE Screenplay: VOODOO LOVE
September 2016 Reading
Written by Frederick Julius

ACTORTV PILOT Screenplay – CIVILIAN
June 2016 Reading
Written by Gina Scanlon

ACTOR1st SCENE Screenplay: CHASING THE WIND
September 2016 Reading
Written by Corean Strong

ACTORNovel Transcript Reading – INTO THE SHADOWS
March 2016 Reading
Written by Marie Jones


festival posterBALLERINA
WATCH Audience FEEDBACK


5min, USA, Horror/Thriller

ACTORFeature Screenplay – DEAD NORTH
April 2016 Reading
Written by Alexander Nachaj

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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