Filmmaker Interviews from the FEEDBACK Female Festival

Interview with Filmmaker Mevlud Sabashvili (DIVIDING LINE)
https://festivalreviews.org/2025/10/14/interview-with-filmmaker-mevlud-sabashvili-dividing-line/

Dividing Line, 28min., Georgia
Directed by Mevlud Sabashvili
A woman finds the strength to leave an abusive relationship. A woman does not find the strength to leave an abusive relationship.


Interview with Filmmakers Elizabeth Rosa Landau & Kimberly Arcand (LISTEN TO THE UNIVERSE)


Interview with Filmmaker Claire Tomlinson (SURVIVING ALONE: THE TALE OF SIMONE)
https://festivalreviews.org/2025/10/14/interview-with-filmmaker-claire-tomlinson-surviving-alone-the-tale-of-simone/

Surviving Alone: The Tale of Simone, 15min., UK
Directed by Claire Tomlinson
Simone is the last Greater Bamboo Lemur in Ranomafana, a protected rainforest in south-east Madagascar. After a happy start in life, surrounded by family, Simone finds herself alone, as members of her family disappear one by one. Three years on, and she’s still alone – a social animal, a primate, just like us; how has this isolation affected her mental state?


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By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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