WINNERS: August 2025 Toronto FEMALE Film Festival

A showcase of the best Female Films from around the world today!

AUDIENCE AWARD WINNERS:
Best Short Film: Obedience
Best Visual Design: Cycle of Emotions
Best Story: Dis-connected
Best Direction: The Taste of Pork Belly

Cycle Of Emotions, 6min, Greece
Directed by Natasha Smyrnaiou
In a hidden search…
In the complex stages of exploration that the Soul goes through…
Through the emotions…
Discovers…
Accepts…
Learns…
Evolves…
Getting Free…
Pictures, music and movement…
In a film art video performance of 6’.

https://instagram.com/natasha_smyrnaiou

Dis-connected, 10min., Spain
Directed by Estela del Carmen
Andrea is a girl addicted to her cell phone, until one day she is forced to live a day without him.

Obedience, 12min., Spain
Directed by Maria Carmen Sánchez
A girl is kidnapped by a couple of men, who claim to be vampires.

The Taste of Pork Belly, 20min., Taiwan
Directed by Sophie Shui
The preschooler A-Mao spends his days fooling around and exploring with his little sister and his buddy A-Bao. When they are hungry, there are sweet potatoes and snails to eat, and from time to time A-Mao can also eat some of the pork belly that his mother has gotten as a “gift.” A-Mao’s childhood is free and happy.

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By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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