HIGHLIGHTS: August 2024 FEMALE Film Festival

A showcase of the winning feature film of 2024.

NYCTOPHOBIA, 88min., USA
Directed by Seayoon Jeong
As Liz struggles with nyctophobia (fear of the dark), a form of anxiety disorder that causes sleeping issues, she desperately tries to fall asleep by entering her “inner world” where she can access her happy childhood memories. However, she ultimately becomes trapped in a time loop of sorts in her “lucid dream” world and encounters her nightmare, Dark Figure, who appears in various forms and shapes as a clown. The time loop pushes her deeper into her lucid dream world, forcing her to reach her subconscious world where she meets her worst nightmare, the original form of Dark Figure.

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Watch the Audience Feedback Video:
https://youtu.be/yc8lIBS4D84

Director Statement

Two years ago, when the world was hit by the covid pandemic, I endured the lock down in New York City where covid hit the hardest in the U.S. Although many people couldn’t travel or see their family because of the lockdowns, I was fortunate to have my family staying with me, so I had a support system by my side. However, whenever I tuned into local news, all I saw was covid’s relentless devastation, especially on the elderly and even younger generations. The number of dead bodies being taken care of by city and Red Cross workers constantly increased, along with the number of homeless people occupying empty streets without any protection from covid. The pandemic was as confusing and apprehensive to me as to many others, mostly due to the unknown of the future.

During this period, I suffered from extreme fear of the dark known as nyctophobia, a type of anxiety disorder, caused by stress, which eventually triggered sleeping issues. When I was little, I used to suffer from this same anxiety disorder, nyctophobia, that led to insomnia and sleep paralysis as I felt scared of the dark. Stress exacerbated the condition, but I grew out of it as I got older. The pandemic triggered it for the first time since then, disrupting my sleeping patterns for many nights. I wondered how many people were in the same boat, so I did some research on my own and found out that a large proportion of the world’s population was dealing with anxiety disorders that disrupt sleeping patterns in one way or another through an association with their fears of the dark. For some reason, people—including myself—are generally not comfortable discussing anxiety disorders, not to mention sleeping issues, even though such issues can have tremendous and debilitating physical, emotional, and psychological effect on their daily lives. Therefore, I wanted to explore this subject matter, nyctophobia, based on my own personal experience with a humble desire to represent a community of people who have sleeping issues caused by nyctophobia.

From the beginning, I wanted this project, Nyctophobia, to be a feature experimental film to ensure that I’d have more creative room for the narrative without any dialogue while examining the damaging effects of sleeping issues stemming from nyctophobia on the main protagonist, Liz. To better convey the emotional and psychological struggles of Liz whose sole purpose at night is to just fall asleep deeply, I built four realms in the story: a) Liz’s reality, b) her “inner world” where she re-creates her happy childhood memories to calm her mind and soul, c) her “lucid dream” world where she’s trapped in a time loop of sorts and encounters her nightmare, Dark Figure, who appears as a clown but in different forms and shapes, d) her “subconscious world” where she meets the original form of Dark Figure who physically attacks her. As the time loop pushes Liz deeper into her lucid dream world, she reaches her subconscious world and meets her worst nightmare, the original Dark Figure. Her lucid dream world and her reality eventually collide, blurring the lines between them, leaving her unable to differentiate between her dream where she is being attacked by the original Dark Figure and her reality where she suffers from sleep paralysis.

To distinguish the aforementioned worlds visually, Liz’s reality is expressed in black and white, while her inner world is a mix of high contrast black and white and pastel colors to show her happy childhood memories in technicolor. Meanwhile, her lucid dream world is depicted in more intense black and white that resembles the tone of “The Lighthouse” with the isolated color, red, to illustrate a sense of discomfort and danger. Also, her subconscious world and the blending of the three worlds – her reality, lucid dream and subconscious worlds – occur in extremely low-key black and white to effectively represent Liz’s fear and terror.

As the story ends early in the morning with Liz being exhausted due to getting only a few hours of sleep, all the lights in her house are on, it demonstrates the grim and damaging effects the symptoms of nyctophobia are having on her quality of life. By drawing upon my own experiences, I hope to accurately represent a community of people who struggle with the same (or similar) issues as Liz and highlight the importance of addressing the issues and seeking help if necessary to improve their quality of life instead of trying to deal with it all on their own.

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By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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