HIGHLIGHTS, WINNERS & VIDEOS: February 2018 FEMALE/COMEDY FEEDBACK Film Festival

lafeedbackfilmfestival's avatarLos Angeles feedback film festival

AUDIENCE AWARD WINNERS:

BEST FILM: GF

BEST PERFORMANCES: THE FUTURE RICHARD DENISONS

BEST CINEMATOGRAPHY: PAPER PALACES

BEST MUSIC: MADEIRA

Watch the Audience FEEDBACK Videos:

festival posterTHE CRYING CHEF, 6min., USA, Comedy
WATCH Audience FEEDBACK

festival posterTHE FUTURE RICHARD DENISONS, 16min, USA, Comedy/Time Travel
WATCH Audience FEEDBACK

festival posterFORGOTTEN FLORA, 5min., USA, Animation/Drama
WATCH Audience FEEDBACK

festival posterMADEIRA, 14min., USA, Drama
WATCH Audience FEEDBACK

festival posterPAPER PALACES, 6min., USA, Drama
WATCH Audience FEEDBACK

festival posterTHE FBI BLEW UP MY ICE SKATES, 7min., USA, Animation/Drama
WATCH Audience FEEDBACK

festival posterAN ACTOR PREPARES, 4min., USA, Comedy
WATCH Audience FEEDBACK

festival posterGF, 25min., USA, Comedy
WATCH Audience FEEDBACK

The 2nd LOS ANGELES FEEDBACK Film Festival event of 2018 was a great success.
The theme of the event was “Perspective”.

Every film was about seeing a situation or person from a outside or future point of view.

Whenever you have a festival where every single film receives multiple votes for BEST FILM of…

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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