April 2018 – Interview with TOP Cinematographers working today.

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Enclosed are 5 interviews with some of the TOP Cinematographers working in the Film & TV industry today. By Matthew Toffolo

Interview with Cinematographer Rasmus Heise (I KILL GIANTS)
https://matthewtoffolo.com/2018/03/25/interview-with-cinematographer-rasmus-heise-i-kill-giants/

Interview with Cinematographer Christophe Graillot (A Bag of Marbles, La Garde)
https://matthewtoffolo.com/2018/03/16/interview-with-cinematographer-christophe-graillot-a-bag-of-marbles-la-garde/

Interview with Cinematographer Dan Stoloff (Suits, The Americans, Zoo)
https://matthewtoffolo.com/2018/03/16/interview-with-cinematographer-dan-stoloff-suits-the-americans-zoo/

Interview with Cinematographer Tristan Oliver (Isle of Dogs, ParaNorman, Fantastic Mr. Fox)
https://matthewtoffolo.com/2018/03/16/interview-with-cinematographer-tristan-oliver-isle-of-dogs-paranorman-fantastic-mr-fox/

Interview with Cinematographer Frank G. DeMarco (Hedwig and the Angry Inch, All is Lost)
https://matthewtoffolo.com/2018/03/16/interview-with-cinematographer-frank-g-demarco-hedwig-and-the-angry-inch-all-is-lost/

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By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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