November 2017 Female Directed & Written Stories, Screenplays, and Short Films

festival posterPOST NO BILLS, 5min, Canada, Animation/Adventure
WATCH Audience FEEDBACK
festival posterTHE FOREST PRINCESS, 5min, USA, Fantasy/Family
WATCH Audience FEEDBACK
festival posterTHE BENEFACTION, 27min, USA, Drama
WATCH Audience FEEDBACK
festival posterFIRM WITH PURPOSE, 5min, USA, Comedy
WATCH Audience FEEDBACK
festival posterBETWEEN SECONDS, 20min, USA, Romance/Music
WATCH Audience FEEDBACK
festival posterHEDDA NEEDS HELP, 14min, USA, Comedy
WATCH Audience FEEDBACK
festival posterFELL, 5min, USA, Drama/Supernatural,
WATCH Audience FEEDBACK
festival posterMISSING PEACE, 17min., USA, Documentary/Drama
WATCH Audience FEEDBACK
ACTORFANTASY TV PILOT Screenplay – EIRE’S SONG
November 2017 Reading
by Kristen Nedopak
ACTORFAMILY 1st Scene Screenplay – AS AN ACTRESS
November 2017 Reading
by Maria Hinterkoerner
ACTORFAN FICTION Screenplay – LEGACY
November 2017 Reading
by Danielle Erlich
ACTORTHRILLER BEST SCENE Screenplay – GOD SMACK
November 2017 Reading
by Diana Lanham
ACTORTHE CROSSING Novel Transcript Reading
November 2017 Reading
by Katrina Antoinette
ACTORDAY AFTER DISASTER Novel Transcript Reading
November 2017 Reading
by Sara F. Hathaway
ACTORDEATH OF A DIVA Novel Transcript Reading
November 2017 Reading
by Brigitte Goldstein
femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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