Get to know the short film: NO STRINGS ATTACHED, 5min, USA, Music Video

 Played at the FEMALE FEEDBACK Film Festival on Thursday August 24, 2017

Nostringsgrab retouchedFans or dollars? A surreal exploration of the inner conflict of the independent artist.

Project Links

Directed by Lindsay Penn

Director Statement

Alyssa wanted to express to the world how hard it is to reach your goals as an independent artist when there is such a strong tug-of-war between fans and the industry. Many music fans claim they want you to express yourself genuinely as an artist, yet they try to sway you in the direction of their choosing, and they don’t understand why you deserve to be paid. The industry offers you cash, but then, naturally, cares more about your market appeal than your vision. Alyssa tackles her experience with this conflict intimately and intelligently, and I feel that if I related to it so intensely, others will as well.

  • Runtime:
    5 minutes 18 seconds
  • Completion Date:
    January 1, 2016
  • Production Budget:
    4,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Film Language:
    English
  • Shooting Format:
    Red Epic Dragon
  • Aspect Ratio:
    2.35:1
  • Film Color:
    Color

    no_strings_attached.jpg

femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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