October 2016 Fantasy/Sci-Fi Films/Screenplays/Stories

WILDsound Festival's avatarWILDsound Festival

Submit your Fantasy/Sci-Fi Screenplay & Film to the Festival:http://fantasyscififestival.com

Watch the best of Fantasy/Sci-Fi in October 2016:

ACTORFEATURE Screenplay: CHARLOTTE SOMETIMES
October 2016 Reading
Written by Cate Carson
ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke

festival posterBARROW, 15min., Australia, Crime/Mystery
WATCH Audience FEEDBACK

festival posterMAYDAY, 13min. France, Horror/Fantasy
WATCH Audience FEEDBACK
ACTORBEST SCENE Screenplay – THE ACCIDENTAL ANGEL
October 2016 Reading
Written by Oren Weitz
ACTORSHORT Screenplay – THE STRUGGLE
October 2016 Reading
Written by Janice Kennedy

festival posterTENGU: BIRDMAN OF THE MOUNTAINS, 8min., UK, Action/Fantasy
WATCH Audience FEEDBACK
ACTORLONG SHORT Screenplay – NOTE TO SELF
October 2016 Reading
Written by Humayun Mirza

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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