Watch Videos from the Oct. 2016 Festival for Comedy

WILDsound Festival's avatarWILDsound Festival

Submit your Comedy Screenplay or Film to the Festival Today:http://festivalforcomedy.com

See the October 2016 Comedy Stories. Click the link and watch the winning videos:

ACTORSHORT Screenplay – I NEVER KNOCK
October 2016 Reading
Written by John Ervin
ACTORLONG SHORT Screenplay – THE MIGHTY BIRD
October 2016 Reading
Written by Brian Gililland
ACTORSHORT Story – WATERMELON EATING CONTEST
October 2016 Reading
Written by Teri B. Clark
ACTORSHORT Story – DEAD END JOB
October 2016 Reading
Written by Alice Lacey
ACTORTV SPEC Screenplay: UNBREAKABLE KIMMY SCHMIDT Kimmy is a VIP
October 2016 Reading
Written by Mike Miller
ACTORSHORT Screenplay – SYMPATHY
October 2016 Reading
Written by Steven Sinnenberg
ACTORSHORT Screenplay – THE STRUGGLE
October 2016 Reading
Written by Janice Kennedy
ACTORSHORT Story – TRUE NORTH
October 2016 Reading
Written by Hal Ackerman

festival posterTHE APOLOGY, 7min, UK, Mystery/Crime
WATCH Audience FEEDBACK
ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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