Watch all of the October 2016 Winning Writing Festival Readings & Film Festival Videos

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Watch October 2016 Winning Readings and Films

ACTORHIGHLIGHTS October 2016 ACTION/CRIME FEEDBACK Film Festival
Best of the Oct. 20, 2016 Fest.
ACTORFEATURE Screenplay: CHARLOTTE SOMETIMES
October 2016 Reading
Written by Cate Carson
ACTOR1st SCENE Screenplay: NIGHT WIND TO BAHIA
October 2016 Reading
Written by Thomas Thorpe
ACTOR1st SCENE Screenplay: CRIME CYCLE
October 2016 Reading
Written by Donald R. Brown
ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke
ACTORTV PILOT Screenplay: EMMETT IN PEOPLELAND
October 2016 Reading
Written by Larry Hankin
ACTORTV PILOT Screenplay: THE VISA
October 2016 Reading
Written by Conrad Haynes
ACTORTV SPEC Screenplay: UNBREAKABLE KIMMY SCHMIDT Kimmy is a VIP
October 2016 Reading
Written by Mike Miller
ACTORBEST SCENE Screenplay – PORT SUDAN
October 2016 Reading
Written by Jack Sherry
ACTORBEST SCENE Screenplay – PARADISE AT MAIN AND ELM
October 2016 Reading
Written by Barry Brennessel
ACTORBEST SCENE Screenplay – LOVE IS NOT LOVE
October…

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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