WILDsound Announces its October 2016 Winning Stories and Novels (10)

WILDsound Festival's avatarWILDsound Festival

Watch all of the winning stories performed by professional actors. 10 winners for the month of October 2016.

Watch them all here: http://www.wildsoundfestival.com/october_2016_winning_stories.html

1 – Winning Novel

THE PESSARY by Juliet M. Nevins MD

9 – Winning Short Stories

TRUE NORTH, by Hal Ackerman
ASTRONAUTS SWEAR THE VIEW IS NEVER DULL, by James Hartley
WATERMELON EATING CONTEST, by Teri B. Clark
IN THE CLEARING, by Steve Bensinger
GOBLIN, by J.F. Capps
DIRE CIRCUMSTANCES, by Alisha M Risen Kent
A TOXIC GAME, by Marianne Hagadorn
DEAD END JOB, by Alice Lacey
TOUCHING MY SPINE, by Monique Amado

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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