WILDsound Announces its October 2016 Winning Screenplays (26)

WILDsound Festival's avatarWILDsound Festival

Watch all of the winning screenplay readings performed by professional actors. 26 winners for the month of October 2016.

Watch them all here: http://www.wildsoundfestival.com/october_2016_winning_screenplays.html

1 – Feature Screenplay Winner

CHARLOTTE SOMETIMES by Cate Carson

4 – TV Screenplay Winners

WILLOWWOOD by Christopher Locke

EMMETT IN PEOPLELAND by Larry Hankin

THE VISA by Conrad Haynes

UNBREAKABLE KIMMY SCHMIDT Spec by Mike Miller

2 – 1st Scene Screenplay Winners

NIGHT WIND TO BAHIA by Thomas Thorpe

CRIME CYCLE by Donald R. Brown

4 – Best Scene Screenplay Winners

PORT SUDAN by Jack Sherry

PARADISE AT MAIN AND ELM by Barry Brennessel

LOVE IS NOT LOVE by Stephen Keep Mills

THE ACCIDENTAL ANGEL by Oren Weitz

5 – Long Short Screenplays (over 15 pages)

THE SON, THE FATHER by Lukas Hass

NOTE TO SELF by Humayun Mirza

TOGETHER by Jade Syed-Bokhari

CUCKOLD PICASSO by James R. Adams II and Lance Larson

THE MIGHTY…

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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