Watch the Winning October 2016 SHORT SCREENPLAY Readings

WILDsound Festival's avatarWILDsound Festival

Watch the winning screenplays performed by professional actors.

ACTORLONG SHORT Screenplay – TOGETHER
October 2016 Reading
Written by Jade Syed-Bokhari
ACTORLONG SHORT Screenplay – THE SON, THE FATHER
October 2016 Reading
Written by Lukas Hass
ACTORLONG SHORT Screenplay – NOTE TO SELF
October 2016 Reading
Written by Humayun Mirza
ACTORLONG SHORT Screenplay – CUCKOLD PICASSO
October 2016 Reading
Written by James R. Adams II and Lance Larson
ACTORLONG SHORT Screenplay – THE MIGHTY BIRD
October 2016 Reading
Written by Brian Gililland
ACTORSHORT Screenplay – THE TEACHER
October 2016 Reading
Written by Josh Goodman
ACTORSHORT Screenplay – WHAT’S IN A NAME
October 2016 Reading
Written by Ted Stanley
ACTORSHORT Screenplay – HAPPY LITTLE PILLS
October 2016 Reading
Written by Kennedy Erin
ACTORSHORT Screenplay – SYMPATHY
October 2016 Reading
Written by Steven Sinnenberg
ACTORSHORT Screenplay – THE STRUGGLE
October 2016 Reading
Written by Janice Kennedy
ACTORSHORT Screenplay – THE MIDDLING CLASS
October…

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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