Watch all of the September 2016 Winning Writing Festival Readings & Film Festival Videos

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Watch September Winning Readings & Film Festival Videos

ACTORHIGHLIGHTS September 2016 SCI-FI FEEDBACK Film Festival
Best of the Sept. 20, 2016 Fest.
ACTORSHORT Screenplay – FREEDOM
September 2016 Reading
Written by Scot Walker
ACTORFEATURE Screenplay: LAWN BOYS
September 2016 Reading
Written by Steve Cleary
ACTORFEATURE Screenplay: LUCIDAE
September 2016 Reading
Written by Jacqueline Marett
ACTORTV PILOT Screenplay – OYMPUS RISING
September 2016 Reading
Written by C M Landrus
ACTORTV SPEC Screenplay: MODERN FAMILY
September 2016 Reading
Written by Chai Karve
ACTORWEBSERIES Screenplay: TREVOR AND EVOR
September 2016 Reading
Written by Sasha Siljanovic
ACTORFAN FICTION Screenplay: VIGILANTE (TMNT)
September 2016 Reading
Written by Justin Prince
ACTORBEST SCENE Screenplay – 3 FAMILIES
September 2016 Reading
Written by J.D. Poland
ACTORBEST SCENE Screenplay: LOONATOONA
September 2016 Reading
Written by Shockadelic
ACTOR1st SCENE Screenplay: VOODOO LOVE
September 2016 Reading
Written by Frederick Julius
ACTOR1st SCENE Screenplay: OLD BONES
September 2016 Reading
Written by Dermott Hayes

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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