Today’s TIFF Reviews – Sept. 18th

WILDsound Festival's avatarWILDsound Festival

Read the best of reviews from films at the Toronto International Film Festival in 2016: https://festivalreviews.org/category/tiff-2016-movie-reviews/

TIFF 2016 Movie Review: CARRIE PILBY (USA 2016) ***

Being too smart might be detrimental to ones life. Based on Caren Lissner’s best-selling 2003 novel, CARRIE PILBY is a story of a awkward teen who graduated Harvard at the age of 19 and lives in a small NYC apartment paid for by her London-based father (Gabriel Byrne).

TIFF 2016 Movie Review: BOYS IN THE TREES (Australia 2016)

BOYS UNDER TREES contains an exciting premise – a coming-of-age story with gay overtones set in a small Australian town where the protagonist seeks to leave for the big city. The action takes place during Halloween where goals and Aborigine black magic exists.

TIFF 2016 Movie Review: AQUARIUS (Brazil/France 2016) ****

Filho’s AQUARIUS is again set in Recife, the seaside neighbourhood that he made famous in his last film NEIGHBOURING SOUNDS.

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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