Read Best of TIFF Movie Reviews: September 15th

WILDsound Festival's avatarWILDsound Festival

Best of Toronto International Film Festival Reviews: https://festivalreviews.org/category/tiff-2016-movie-reviews/

TIFF 2016 Movie Review: WULU (France/Senegal 2016) ***

Malian director Daouda Coulibaly’s debut is a no-nonsense tense crime drama/political thriller that traces the rise and fall of a low-level transit worker turned drug trafficker.

TIFF 2016 Movie Review: LA LA LAND (USA 2016) ****

LA LA LAND marks the return of the Hollywood musical but done here with a fresh take. The film tells of the conflict between following ones dreams against sacrificing them up for love.

TIFF 2016 Movie Review: DEEPWATER HORIZON (USA 2016)

Based on the true-life worst U.S. oil disaster in history, DEEPWATER HORIZON is nothing more than a super expensive a re-enactment of the disaster using special effects with a cliched story line framed by testimonies of the survivors at a hearing.

TIFF 2016 Movie Review: (re) ASSIGNMENT (USA/Canada/France 2016) ***

From Walter Hill, the director of classics like 48 HOURS, THE LONG…

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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