Watch all of the August 2016 Winning Writing Festival Readings & Film Festival Videos

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ACTORHIGHLIGHTS Aug. 2016 HORROR/THRILLER FEEDBACK Film Festival
Best of the August 18, 2016 Fest.
ACTORHIGHLIGHTS Aug. 2016 FAMILY/ANIMATION FEEDBACK Film Festival
Best of the August 25, 2016 Fest.
ACTORFEATURE Screenplay – FOR ALL MANKIND
August 2016 Reading
Written by Matthew O’Connell
ACTORSTAGE PLAY – TWO MERCHANTS OF VENICE
August 2016 Reading
Written by Stephen M. Hunt
ACTORTV PILOT Screenplay – RICK & MORTY “The Rickgotiator”
August 2016 Reading
Written by David Cryan
ACTORTV PILOT Screenplay – DIGITAL NATIVES
August 2016 Reading
Written by Adam Preston
ACTORTV PILOT Screenplay – SURVEILLANCE
August 2016 Reading
Written by Chris Gebhardt & Jenn Russi
ACTORFAN FICTION Screenplay – THE MASK OF LEIA
August 2016 Reading
Written by Ian Wilson
ACTOR1st SCENE Screenplay – SENIOR PRANK
August 2016 Reading
Written by Vincent Masson
ACTOR1st SCENE Screenplay – HALFWAY
August 2016 Reading
Written by Lukas Hassel
ACTORSHORT Screenplay – DRAC S CAFE
August 2016 Reading
Written…

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femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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