Read Television Show Pitches and Loglines

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Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

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Read TV SHOW Pitches:

Title: Night Reaper: Blood Lust Stories
http://www.wildsoundfestival.com/night_reaper_blood_lust_stories_by_nelson_amador.html
Written by: Nelson Amador
Type: TV PILOT. Graphic Novel/Animated Series
Genre: Horror

Title: Rust
http://www.wildsoundfestival.com/rust_by_cody_carson.html
Written by: Cody Carson
Type: TV PILOT
Genre: Crime, Mystery

Title: Curb Your Enthusiasm – Uncle Larry
http://www.wildsoundfestival.com/curb_your_enthusiasm_spec_by_chris_agnew.html
Written by: Chris Agnew
Type: TV Spec
Genre: Comedy, Sitcom

Title: ASAP
http://www.wildsoundfestival.com/asap_by_leon_e_connell.html
Written by: Leon E. Connell
Type: TV Mini-Series
Genre: Action, Adventure, Drama, Family, Fantasy

Title: Brooklyn Nine-Nine “Finding Hitchcock”
http://www.wildsoundfestival.com/brooklyn_nine-nine_by_david_oster.html
Written by: David Oster
Type: TV SPEC
Genre: Comedy, Sitcom

Title: Trapped
http://www.wildsoundfestival.com/trapped_by_rachel_kantor.html
Written by: Rachel Kantor
Type: TV PILOT
Genre: Crime/Drama

Title: Martyrs…

View original post 63 more words

femalefilmfestival's avatar

By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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