Matthew Toffolo: What is your short screenplay about?
It’s set in a not-too-distant future where the proliferation of virtual sex has killed meaningful relationships and created a society in search of ever-more extreme forms of gratification. Luke, the protagonist, is caught in this vicious circle of gratification and craving. Until he discovers he’s yearning for something long since forgotten.
Matthew: Why should this screenplay be made into a movie?
Everyone wonders where we’re headed in the future and this story takes a trajectory of something we’re experimenting with today and shows a potential consequence.
Matthew: This story has a lot going for it. How would you describe this script in two words?
A surreal romance
Matthew: What movie have you seen the most times in your life?
Cinema Paradiso
Matthew: This is a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?
I wrote it very quickly as a short story a couple of years ago, then tried, and failed to turn it into a short screenplay. After that, I abandoned it for a few years, until recently. This time, the screenplay flew.
Matthew: How many stories have you written?
Not that many. I’m a director first, writer second.
Matthew: What motivated you to write this screenplay?
I was about fifteen when internet became a standard household item. Over the next decade, I personally felt the effect it had on relationships and it made me want to capture what I think we might be losing.
Matthew: What obstacles did you face to finish this screenplay?
The main obstacle was the fact that the protagonist and antagonist never meet, so I had to create secondary characters to explain the story.
Matthew: Apart from writing, what else are you passionate about?
I love directing and producing.
Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?
I’ve had another work featured and it’s amazing to hear your screenplay performed. I’ve found the feedback to be very helpful and I’ve incorporated nearly all the recommendations.
Matthew: Any advice or tips you’d like to pass on to other writers?
Contests that give feedback, like WILDsound, are invaluable.
The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes.
Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival.
This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way.
When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival.
A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.