April 2017 Female Directed & Written Stories, Screenplays, and Short Films

Submit your Female Story, Screenplay, or Short Film to the Festival today: https://femalefilmfestival.com/

festival posterNOSTOMANIA, 2min, Canada, Experimental
WATCH Audience FEEDBACK
festival posterIN A WARM DARK PLACE, 10min, USA, Drama/Thriller
WATCH Audience FEEDBACK
festival posterTHE MAN FROM THE SWIM LANE ASIDE, 15min, Brazil, Drama/Romance
WATCH Audience FEEDBACK
festival posterBENDED BONDS, 6min, Belgium, Drama
WATCH Audience FEEDBACK
festival posterRIGHT HERE OR OVER THERE, 16min, France, Drama
WATCH Audience FEEDBACK
festival posterUNBIND, 5min, Australia, Dance/Experimental
WATCH Audience FEEDBACK
festival posterLE BELLE FOLIE, 14min, UK, Comedy
WATCH Audience FEEDBACK
festival posterCONFESSION, 5min, USA, Horror/Thriller
WATCH Audience FEEDBACK
festival posterTHE WHITE ROSE, 5min, USA, Thriller/Film Noir
WATCH Audience FEEDBACK
festival posterHAVE A LITTLE FAITH, 12min, USA, Comedy
WATCH Audience FEEDBACK
festival posterUNCLE ALBERT, 11min, USA, Dark Comedy
WATCH Audience FEEDBACK
festival posterGEORGE, 7min, USA, Documentary
WATCH Audience FEEDBACK
ACTOR1st SCENE Screenplay – THE DEBT
April 2017 Reading
Written by Michelle Patkowski

ACTORNOVEL Transcript Reading – ORIGINS OF EVE
April 2017 Reading
Written by Kimberly Davis
ACTORCOMEDY BEST Scene Screenplay – FATE’S PECULIAR SENSE OF HUMOR
April 2017 Reading
Written by N. Triton

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By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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